Théâtre (1896)


Musique:
Paroles:
Livret: Anton Chekhov
Production à la création:



Aucun dossier informatif complémentaire concernant Seagull (The)

Aucun dossier informatif complémentaire concernant Seagull (The)


Version 1

Seagull (The) (1994-07-Lyttelton Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 4 mois 4 semaines
Nombre : 81 représentations
Première Preview : Inconnu
Première: 07 July 1994
Dernière: 03 December 1994
Mise en scène : John Caird
Chorégraphie :
Producteur :
Star(s) :

Version 2

Seagull (The) (1997-08-Donmar Warehouse-London)

Type de série:
Théâtre: Donmar Warehouse (Londres - Angleterre)
Durée : 3 semaines
Nombre :
Première Preview : Inconnu
Première: 12 August 1997
Dernière: 06 September 1997
Mise en scène : Stephen Unwin
Chorégraphie :
Producteur :
Star(s) :
Avec: Mark Bazeley, Duncan Bell, Cheryl Campbell, Abigail Duddleston, Sandra Duncan, Christopher Good, Colin Haigh, Denys Hawthorne, Sarah-Jane Holm, Alan Leith, Joanna Roth, Paul Slack

Version 3

Seagull (The) (2006-06-Lyttelton Theatre-NT-London)

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 2 mois 4 semaines
Nombre : 68 représentations
Première Preview : 17 June 2006
Première: 27 June 2006
Dernière: 23 September 2006
Mise en scène : Katie Mitchell
Chorégraphie :
Producteur :
Star(s) :
Avec: Juliet Stevenson, Ben Whishaw, Mark Bazeley, Michael Gould, Sean Jackson, Liz Kettle, Sandy McDade, Hattie Morahan, Justin Salinger, Angus Wright
Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "Anyone who comes fresh to the play should be warned they are not seeing some radical reinterpretation, but a pallid version of the real thing...Mitchell's Seagull does, though, generate an intriguing, desolate atmosphere." MICHAEL BILLINGTON for THE GUARDIAN says, "This is an evening where acting takes second place to effect and the sight of a decaying class tangoing its way to oblivion. It is director's theatre at its most indulgent in which the play, as Chekhov wrote it, is definitely not the thing." DOMENIC CAVENDISH for THE DAILY TELEGRAPH says, "One of the most insightful Chekhov interpreters of her generation with a daringly dark and stripped-back Seagull." BENEDICT NIGHTINGALE for THE TIMES says, "The period is somewhat confusingly updated to the 1920s...the main problem is an excess of atmospherics and detail...One should feel their pain at the end. I didn’t." ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "It’s clever, it’s elegant, it’s interesting – and so what if it isn’t the least bit moving? Or if it isn’t the play Chekhov wrote?"

Version 4

Seagull (The) (2007-11-New London Theatre-London)

Type de série: Revival
Théâtre: Gillian Lynne Theatre (Londres - Angleterre)
Durée : 1 mois 2 semaines
Nombre :
Première Preview : 21 November 2007
Première: 27 November 2007
Dernière: 12 January 2008
Mise en scène : Trevor Nunn
Chorégraphie : Aucun
Producteur :
Star(s) :
Avec: Ian McKellen and William Gaunt will share the role of Sorin. Frances Barber (Arkadina), Ben Addis (Servant), Adam Booth (Estate Worker), Zoe Boyle (Arkadina's Maid), Russell Byrne (Servant), Naomi Capron (Cook), Monica Dolan (Masha), Romola Garai (Nina), Richard Goulding (Konstantin), Julian Harries (Estate Worker ), John Heffernan (Estate Worker), Peter Hinton (Yakov), Jonathan Hyde (Dr Dorn), Melanie Jessop (Polina), Gerald Kyd (Trigorin), Seymour Matthews (Old Servant), Ben Meyjes (Medvedenko), David Weston (Butler), Guy Williams (Shamrayev), Philip Winchester (Estate Worker)
Commentaires longs: Une production de la RSC
Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nunn's production is hampered by monotonous langour, conceptual vagueness and melodramatic pointing." MICHAEL BILLINGTON for THE GUARDIAN says, "Trevor Nunn's production is a mixed bag: strong at the margins, fallible at the centre and, at three hours 20 minutes, desperately long." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Impressive...But, in the final analysis...just miss true greatness." GERALD BERKOWITZ for THE STAGE says, "Excellent production."BENEDICT NIGHTINGALE for THE TIMES says, "Frances Barber...giving a deeper performance than at Stratford."

Version 5

Seagull (The) (2016-08-Olivier Theatre-NT-London) Young Chekov

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 2 mois
Nombre :
Première Preview : 23 July 2016
Première: 03 August 2016
Dernière: 08 October 2016
Mise en scène : Jonathan Kent
Chorégraphie :
Producteur :
Star(s) :
Avec: Anna Chancellor (Akardina), Geoffrey Streatfeild (Trigorin), Emma Amos, Pip Carter, Jonathan Coy, Nicholas Day, Mark Donald, Peter Egan, Col Farrell, Joshua James, Beverley Klein, Adrian Lukis, Des McAleer, James McArdle, Mark Penfold, Luke Pierre, Nina Sosanya, Sarah Twomey, David Verrey, Olivia Vinall, Jade Williams
Commentaires : Performed by an ensemble of actors, Platonov, Ivanov and The Seagull can be seen as single performances or enjoyed together, either over different days or as a thrilling all-day theatrical experience.

Version 6

Seagull (The) (2017-10-Lyric Hammersmith Main House-London)

Type de série: Revival
Théâtre: Lyric Hammersmith (Londres - Angleterre)
Durée : 3 semaines
Nombre :
Première Preview : 03 October 2017
Première: 10 October 2017
Dernière: 04 November 2017
Mise en scène : Sean Holmes
Chorégraphie :
Producteur :
Star(s) :
Avec: Lesley Sharp (Irina Arkadina), Adelayo Adedayo (Nina), Michele Austin (Pauline), Lloyd Cooney, Nicholas Gleaves, Paul Higgins (Hugo Dorn), Lloyd Hutchinson, Cherrelle Skeete (Marcia), Raphael Sowole, Nicholas Tennant (Peter Sorin), Brian Vernel (Konstantin)
Commentaires : Switching effortlessly between the ridiculous and the profound The Seagull forensically examines the transcendence and destructiveness of love. The burning need to create Art and how harshly that need can be crushed permeates throughout the play.
Presse : ***** "An unmissable piece of theatre." LondonTheatre.co.uk

**** "Properly funny and properly gut-punching." What's On Stage

**** "It's a belter: chilling, impassioned, funny." Time Out

**** "One of the funniest Seagulls, but also one of the most heartbreaking." The Guardian

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